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Get It In Writing
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Приєднався 20 гру 2008
Get It In Writing. The home of Daniel Liston Keller, music and pro audio industry consultant.
Creator. Presenter. Moderator. Host. Producer. Videographer. Composer. Digital Marketer. Strategist. Artist. Musician. Educator. Communicator.
Music and MI | Pro Audio | Media Production | Installed AV | Immersive Technology
Obsessive communicator and technology obsessive. If it makes a cool noise, manipulates sound or picture, or is interactive, it's probably on my radar.
Creator. Presenter. Moderator. Host. Producer. Videographer. Composer. Digital Marketer. Strategist. Artist. Musician. Educator. Communicator.
Music and MI | Pro Audio | Media Production | Installed AV | Immersive Technology
Obsessive communicator and technology obsessive. If it makes a cool noise, manipulates sound or picture, or is interactive, it's probably on my radar.
Insights In Sound - Rafa Sardina, Producer (S15 E6)
Aside from his five Grammys, 14 Latin Grammys, and a vast and diverse discography, it's Rafa Sardina's deep connection with the music and the artists he has worked with that makes him truly one of a kind.
Переглядів: 110
Відео
Insights In Sound - Kelly Snook, Inventor/Futurist S15 E5
Переглядів 18День тому
A true renaissance woman, polymath, and big picture thinker, Dr. Kelly Snook is a music producer, technologist, NASA scientist, inventor, educator, and researcher whose work truly places her at the axis of art, science, and technology. Buckle in for a wild ride.
Insights In Sound - Dominic Milano, Synthesist/Historian - S 15 E4
Переглядів 7021 день тому
Insights In Sound - Dominic Milano, Synthesist/Historian - S 15 E4
Insights In Sound - Jon "Bermuda" Schwartz, Drummer/Historian S15 E3
Переглядів 151Місяць тому
Insights In Sound - Jon "Bermuda" Schwartz, Drummer/Historian S15 E3
Insights In Sound - Larry Fast, Synthesist - S 15, E 2
Переглядів 103Місяць тому
Insights In Sound - Larry Fast, Synthesist - S 15, E 2
Insights In Sound - David Helfant, Music Industry Attorney - S15 E1
Переглядів 47Місяць тому
Insights In Sound - David Helfant, Music Industry Attorney - S15 E1
Insights In Sound - Val Garay, Producer - S14, E10
Переглядів 1052 місяці тому
Insights In Sound - Val Garay, Producer - S14, E10
SmartAsk 02 - Michael Beinhorn, Producer
Переглядів 162 місяці тому
SmartAsk 02 - Michael Beinhorn, Producer
30 Second Chances - Richard Factor, Co-Founder, Eventide - S18 E2
Переглядів 362 місяці тому
30 Second Chances - Richard Factor, Co-Founder, Eventide - S18 E2
Insights In Sound - Denny Tedesco, Filmmaker - S14, E9
Переглядів 542 місяці тому
Insights In Sound - Denny Tedesco, Filmmaker - S14, E9
The Gratest Hits of Cheese - Infomercial Spoof - April Fools
Переглядів 162 місяці тому
The Gratest Hits of Cheese - Infomercial Spoof - April Fools
30 Second Chances - Stephen Siegel, Fulcrum Acoustic - S18 E1
Переглядів 572 місяці тому
30 Second Chances - Stephen Siegel, Fulcrum Acoustic - S18 E1
Insights In Sound - Same As It Never Was - S14, E7
Переглядів 283 місяці тому
Insights In Sound - Same As It Never Was - S14, E7
Insights In Sound - Do You Hear What I Hear? - S14, E6
Переглядів 403 місяці тому
Insights In Sound - Do You Hear What I Hear? - S14, E6
Insights In Sound - Healthy Touring - S14, E8
Переглядів 183 місяці тому
Insights In Sound - Healthy Touring - S14, E8
Insights In Sound - Accessibility Panel - S14, E5
Переглядів 303 місяці тому
Insights In Sound - Accessibility Panel - S14, E5
30 Second Chances - Paul McCabe, Roland US - S17, E10
Переглядів 1153 місяці тому
30 Second Chances - Paul McCabe, Roland US - S17, E10
30 Second Chances - Adam Moseley, Producer/Educator - S17, E9
Переглядів 913 місяці тому
30 Second Chances - Adam Moseley, Producer/Educator - S17, E9
Insights In Sound - Mark Parfitt: Musician/Engineer - S14, E4
Переглядів 1003 місяці тому
Insights In Sound - Mark Parfitt: Musician/Engineer - S14, E4
30 Second Chances - Sue Sillitoe, PR Professional - S17, E8
Переглядів 253 місяці тому
30 Second Chances - Sue Sillitoe, PR Professional - S17, E8
DAS Audio Delivers Sound Worthy of New York for 1Hotel Brooklyn Brooklyn Bridge
Переглядів 153 місяці тому
DAS Audio Delivers Sound Worthy of New York for 1Hotel Brooklyn Brooklyn Bridge
Insights In Sound - Steve Postell, Musician/Producer - S14, E3
Переглядів 2204 місяці тому
Insights In Sound - Steve Postell, Musician/Producer - S14, E3
30 Second Chances - Ted Bahas, Techrep - S17, E 7
Переглядів 254 місяці тому
30 Second Chances - Ted Bahas, Techrep - S17, E 7
30 Second Chances - Gabi Lima, Audio Professional - S17, E6
Переглядів 1154 місяці тому
30 Second Chances - Gabi Lima, Audio Professional - S17, E6
Insights In Sound - "Do You Hear What I Hear?" - S14, Ep 6
Переглядів 874 місяці тому
Insights In Sound - "Do You Hear What I Hear?" - S14, Ep 6
30 Second Chances - Will Kennedy, Engineer/Producer - S17, E5
Переглядів 275 місяців тому
30 Second Chances - Will Kennedy, Engineer/Producer - S17, E5
Insights In Sound - Adam Moseley, Producer/Educator - S14, E2
Переглядів 765 місяців тому
Insights In Sound - Adam Moseley, Producer/Educator - S14, E2
30 Second Chances - David Rahn, Alcons Audio - S17, E4
Переглядів 205 місяців тому
30 Second Chances - David Rahn, Alcons Audio - S17, E4
Insights In Sound - Brian Kehew, Producer/Engineer - S14, E1
Переглядів 5845 місяців тому
Insights In Sound - Brian Kehew, Producer/Engineer - S14, E1
Great interview, without waste !
I would like to echo Dan's assessment: thanks for a great body of work, Dominic Milano! Tom Rhea.
Yup, Dominic did it the way all of us did it-with chewing gum and baling wire! "Can you do that or that" they would ask, and you would say "of course,," and go away sweating bullets wondering how you were going to get this or that done! Thanks for mentioning my book "Electronic Perspectives: Vintage Electronic Musical Instruments," always appreciated. However, I have to depart a bit from the conversation that MIDI "nay-sayers" such as myself were "proven wrong." Yes, MIDI made a small industry grow hugely, no question. But my comments were always about expressivity-nuance. And early MIDI had problems that kept development of, e.g. wind synthesis instruments on hold for a time. No time to nerd out about that now of course! Best, Tom Rhea.
Yes, you and I touched on this, Tom, and I agree, MIDI was an imperfect solution. (I know there's a lot invested in the future of v2.0, but that's another conversation.) I'd guess that, at the time of its inception, the idea of getting a bunch of disparate companies to agree on a single standard was a heavy enough lift. You, Bob Moog, and others had valid objections. MIDI was not fully baked, and some of the chefs didn't want to wait. On the other hand, in many ways it's remarkable they agreed on as much as they did. DLK
@@GetItInWriting Yes,, I agree that it was remarkable! At Moog Music we sent someone to NYC to determine the many and varied elements, e.g. volts per octave, triggering polarity, and so forth, and it was a real hodgepodge! MIDI did "standardize" much, unfortunately such as equitempered 12 note scale, even though there were "workarounds" such as doubling resolution using pitch bender, etc. And that was basically my concern, that it would homogenize, which I think we could agree that it did. MIDI v1 was definitely a two edged sword . . . more good than bad for a fledgling business. Tom Rhea.
What an experience. Just playing with Prince has to be amazing. I can't image the stress of playing with Prince. You can not make a mistake. Your skills shined through.
Jerry is a legend! Been following his work since I started my career on a Korg Triton. All his tips and tutorials across Irish Acts, the Korg Forums, etc have been invaluable!
Thanks for this, a great interview conversation. Thinking about the comments at the end winding up, I can't think of anyone who has gone deeper in exploring the combination of art and technology, in both domains. Especially looking at this from my perspective as a recording musician and composer, who happens to also have an electronics background. Just the chapter of his life working at Bell Labs is amazing and fascinating. Listening to this, I think I know exactly what he was talking about, regarding the stuff he recalled making using a computer at Bell Labs and sneaking out on a 5 inch reel of 1/4 inch tape, which I suspect is something that appears on the Synergy album Games. It's this sort of crazy energetic thing that's like sample & hold combined with wild arpeggiation. (I can't remember which track it was right now.) I just remember listening and thinking "WOW... that's pretty wild!". I didn't know exactly what was going on, but I knew it sure as hell was not coming out of a Minimoog! Years ago, around 2001/2002, I sent Larry an email about something on his website. In passing, I mentioned a magazine interview he did, around the time of Audion (about 1981?). He had talked about the Bell Labs experience, including digital audio. He talked about the idea of a future of "the tapeless studio", involving digitized audio stored on hard disk (and this was in a time when a 10 MB hard disk drive was a big deal). I mentioned that and how interesting it was to be in the present (at that time) when computer based digital recording was well established, thinking back on that magazine interview in a time when that seemed like science fiction. He wrote an email reply back, and said that, back then around 1981, he could see it coming down the road in the future, but at the time, he thought that the electronics hardware involved would not develop to the point where digital multitrack recording with good quality would be a practical proposition until maybe something like 2025 or so. Yet, there we were, about a quarter of a century ago, now, and computer based digital multitrack recording was common; even I was doing some, as a musician with a modest commonplace PC and very little money. (Of course, I was very limited, and I had to be extremely economical about every byte of disk space... but I was doing it!)
Larry is a great musician, thinker, designer - all kinds of good work!
Love him on becker, that whas also a reason I watched that show.... he should make a few songs and put them out... but I can see he has no time for something like that.
and Queensrÿche
interesting topics
I like this guy, the way he reacts to the questions is entertaining!
thank you, great interview.
Glad you enjoyed it!
Healthy touring. Isn't that an oxymoron?
Link to the full episode: ua-cam.com/video/XwfcFCZ7X9w/v-deo.html
It's a shame this great contentit attracts such less views. Keep the good work up
Thank you! Always happy to have people spread the word!
DAMN this is a GREAT promo video! 😀
I like his sweater. Good video
What a fantastic interview! Really, really enjoyed this. Question: if someone wanted to mix a record in the old school method, completely out of the box (as opposed to “in the box” for instance, like internally in ProTools), what are one or two of the best studios available these days with enough outboard gear for a complete outboard mix experience? Do you have any recommendations?
There are still plenty of studios where one can mix "old school," fully analog using a console and outboard gear. (Of course, much depends on just how "purist" you want to be...are we talking multitrack analog tape, or is your source material still digital? Vintage analog console? Automation? (Just pointing out how far down that rabbit hole one can go...) In any case, you didn't mention where you are but most major cities have at least a handful of analog rooms. I can think of several in New York, Los Angeles, Nashville, San Francisco, Chicago, Atlanta...it's not hard to find one. (Just make sure they have a good maintenance department...nothing will sour your Old School experience more than poorly maintained equipment.
Wow!! What a discography!
Fascinating stuff! funny too…
Gabi is the best!!!
Kevin, my buddy Mat Dauzat says you were a huge influence on his learning engineering. I’d love to work with you & Kane on somethin there at the Hideout! Cheers JT
Loved listening to this interview. I learned a lot about what Jerry was involved in throughout his musical life. I had the pleasure of meeting him at a local concert in Connecticut. Great stuff!
Love it🩷
❤❤❤❤
Ampeg all the way.
I worked at a New York City recording studios called Automated Sound Studios and another called Superdupe Recording aka SDC Recording around the same time Howie started there. A&R Studios was another one and Bell Sound preceded them all.
Very cool!
Can you please ID the panelists (from l. to r.)? Thanks.
Sure! From L: Daniel Liston Keller (moderator), Erik Zobler, Larry Klein, Adam Moseley, Mark Needham, and Ross Hogarth.
@@GetItInWriting Thanks, Dan. A modest suggestion: You might consider making it standard practice to include panel IDs. As one who has a moderate amount of experience in the industry on my resume from decades ago, I really enjoy the chance to both "keep up with things" and "peek behind the curtain" that your thoughtfully assembled panels provide. But because I'm old, and long out of the business, I recognize very few of these vital professionals on sight. And one of the life lessons I learned long ago is that I'm not unique. If this would be interesting/useful to me, it's virtually certain I'm not the only one.
@@beachdog67 Fair point. I did introduce the panelists at the beginning of the session. Unfortunately, NAMM's camera op missed the first couple of minutes. I'll be putting the panels out as (regular) videos, and will include that info in those.
@@GetItInWriting Thanks. I REALLY appreciate it.
Really enjoyed this conversation! Chuck is as good as they get - and has always made me wish I could hear in both ears.
This guy is so interesting
Performance mixing. I have fond memories. I'm curious if Mr. Schnee would have others help with the faders in the process. Sometimes I used to ask for help on the faders and there would be 3 of us working a mix in the studio as a live performance. Sometimes we resembled a game of Twister. I've only ever had 2 hands with some fingers.
We used to call it "octopus mixing' because we'd have at least four people hovering over the board...."okay, you've got the BG vocals, you've got those two guitar tracks, don't forget there's a B3 overdub on that channel too...." etc. Hard to believe with automation so much a part of every mix now...
Hide your spoons!!
Great interview and content! I would like offer a different opinion on the statement regarding how digital affects the creative process " ... There are so many people who now because we are so digital, they never play with other people... There's no interplay between humans..." Well, we are two longtime friends creating music just for the fun of it, but we now live in separate states. With digital, (we both have TASCAM DP-32's) we are able to send SD cards back and forth (in an envelope) and create interesting music. We could even email music files if we we could figure out how. (We are two old school, low tech old timers). I love my old TASCAM 38 1/2" 8 channel reel to reel, but it's just not feasible to find another functioning TASCAM 38 for my bandmate, and mailing 1/2" tape would require more money, and trust in the shipping service you choose. Also, Brian might like what we do because we use a lot of Mellotron (M400 and digital) and we love vintage synths, inexpensive guitars, antique effects, and we even just created a 44 minute one song concept album in this world of short attention spans. For fun, we release our albums on our UA-cam channel.
Not implying that digital is all bad. On the contrary, it has largely changed things for the better. And I'm right there with you on the whole collaboration aspect...I love being able to send tracks back and forth and get to work on projects I'd not otherwise have the opportunity to be involved in. But that still does not equal the synergy, the shared energy of playing together, at the same time. If you're old school, old tech old timers I'm guessing you know this from your own experience. Creating music together in real time, playing off each other, happy accidents....that's all stuff that's a lot harder, if not impossible, to achieve when you're creating parts in your own separate spheres. It's two different types of human interaction....both are valid and both can yield great results. But in my own experience, there's no substitute for playing with other people live.
@@GetItInWriting I agree 100%. We love that we're still able to create new music together, but often wonder on our weekly phone discussions what our music would sound like if we could be in the same room at the same time. Thanks for a fantastic interview!
Brian, what's the Quadraverb reverb preset you used? I still have mine! Great content by the way.
❣
This was fun. Thanks for visiting the Round And Wound studio - and having such a wide-ranging conversation about the art and tech... it covered many of my favorite topics.
Great fun for me as well. I think we both could have kept yakking for several hours.
Awesome! ❤
Nothing can touch an Ampeg SVT.
Wonderful interview! My brother and I, and now my son, are very much a product of the old-school work ethic that is sadly lacking in many ways today. Both the work ethic AND the music, are in our blood. Thank you. 🙂
Im 100% in agreement with this dude , ya never know what life will being your way if everything you think you want you get you dont learn from it and you dont grow you just exist
Love it!!
Met Mr. Peter this weekend in Los Angeles, super cool gentleman! Was very nice to us and told us some great stories. 🤟🏽
I could listen to stories an insights from this legend all day. Thanks!
Glad you enjoyed it
Vance is a straight shooter it would be a dream of mine to have him record one of my songs.
Sean Halley not producing enough content. My dude is a way underrated musician.
Thank you so much for that. Doug is such a wonderful human being!!
Awesome interview - I grew up on old school b boy electro and have always been fascinated by late 70's/early 80's New York culture, but listen to all kinds now - And recently found out this guy produced Soundgardens Superunknown which is a masterpiece. Incredible!
Thank you!
Great. I have the bucket 500 series for like about 1 year , and I am very happy with it…
Wonderful interview but very quiet